In Partenza by Simone Soro is a sweeping, emotive journey, a violin-led piece that captures the melancholy and anticipation of departure. Each note carries a sense of longing, a bittersweet reflection of leaving something behind while stepping into the unknown. Soro’s violin soars with an aching beauty reminiscent of Max Richter and Arvo Pärt, weaving classical roots with jazz-inflected improvisations. The piece feels like standing on the cusp of change, as the violin’s emotional intensity shifts between introspective and uplifting moments. Soro’s impeccable technique is on display, but it’s the raw emotion that lingers. The way his violin speaks through each phrase reveals his ability to transcend traditional boundaries and…

Walking Mojo is a gentle, heartwarming tribute to the companionship between James Filkins and his rescue dog, Mojo. The acoustic guitar leads the way, each note capturing the serenity of a slow, meandering walk through nature. The soft interplay of violin and accordion adds layers of warmth, evoking an almost Celtic or folk-inspired atmosphere. Filkins’ composition unfolds like a conversation between man and dog—a rhythm of curiosity, peace, and unspoken understanding. The music captures the essence of those quiet, reflective walks where life slows down, and the world feels just a bit softer. The melody is simple yet evocative, reminding me of the fingerpicking style of artists like John Renbourn…

The Daniel Curtis Trio’s Lights of Rome feels like a quiet evening stroll through the timeless streets of the Eternal City. The soft, warm piano flows like a stream, gently winding through ancient alleyways, while the bass and drums move in subtle harmony, grounding the listener in the present. There’s an air of romance in the melody, reminiscent of the elegance of Bill Evans or the emotional depth of Miles Davis. The music shimmers with the same golden glow that Rome casts at dusk—calm, reflective, and endlessly evocative. The trio captures more than just the beauty of the city; they convey its spirit of quiet contemplation. Each note is like…

Scarred feels like a personal diary set to music. From the first note, you’re enveloped in an intimate conversation between pain and healing, where Hjördís guides you through the shadows with delicate, mournful keys. The piano, in its stripped-back simplicity, tells a story of resilience—the scars it speaks of aren’t just marks of past hurt but of survival. The piece unfolds slowly, with a poignant beauty similar to Ludovico Einaudi or Nils Frahm. Each note lingers, suspended in air like a teardrop that’s been held back for too long. The pauses between phrases are just as powerful as the notes themselves, allowing the listener space to reflect, to breathe in…

Far and Suspended by Collettivo Armonico feels like floating in a weightless dream, where every piano note drifts like a leaf on a slow autumn breeze. Carlo Matti’s delicate phrasing invites you to pause, breathe, and embrace stillness. The composition unfolds with quiet grace, pulling you into a suspended world, as though time itself is gently slowing. The sparse, tender piano melodies, reminiscent of Ludovico Einaudi or Ólafur Arnalds, create a feeling of meditative calm. Yet beneath the simplicity lies a profound sense of melancholy. Every note feels like it’s suspended in time, holding onto the quiet tension between serenity and longing. It’s music that makes you think of wide-open…